Events
• VENITE PASTORES 2007 (ROMA, BOLOGNA, NAPOLI)
Conservatorio di Musica "San Pietro a Majella"
Via San Pietro a Majella, 35, Napoli
14 dicembre, ore 18.00
Domenico Scarlatti Adventures. Essays to Commemorate the 250th Anniversary of His Death, edited by Massimiliano Sala and W. Dean Sutcliffe, Bologna, Ut Orpheus Edizioni, 2008.
Presentazione del volume con Massimiliano Sala, Andrea Coen e Valerio Losito
ore 19.00
La Viola di Scarlatti
Musiche di J. De Herrando, D. Scarlatti, P. Lopes de Nogueira
Valerio Losito, viola d'amore (Ferdinando Gagliano, Napoli, 1775)
Andrea Coen, clavicembalo
Info: lecolonnedeldecumano@fastwebnet.it
musicaimmagine@tiscali.it
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Instrumental Music and the Industrial Revolution
International Conference, Cremona, 1-3 July 2006
Biblioteca Statale and Sala Puerari (Museo Civico ‘Ala Ponzone’)
Ad Parnassum Journal
Fondazione-Stichting P.A. Locatelli
Ut Orpheus Edizioni
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The conference took place in Cremona (Biblioteca Statale and Sala Puerari, Museo Civico ‘Ala Ponzone’), Italy, from 1st to 3rd July 2006, hosted by the editors of Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, in collaboration with the Fondazione-Stichting Pietro Antonio Locatelli of Cremona-Amsterdam and Ut Orpheus Edizioni in Bologna, and under the auspices of the City and Province of Cremona.
Conference committee: Roberto De Caro, Roberto Illiano, Fulvia Morabito, Michela Niccolai, Claudio Nuzzo, Luca Sala, and Massimiliano Sala.
PROGRAMME
SATURDAY 1 JULY
9.00-10.30 (Biblioteca Statale): Registration and Welcome
10.30-12.00: Roundtable on Instrumental Music and The Industrial Revolution, Chair: MASSIMILIANO SALA
ELIO MATASSI, ROBERTO DE CARO, GIUSEPPE TUMMINELLO
Lunch
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14.30-15.30 (Biblioteca Statale): Keynote Speaker
SIMON MCVEIGH (Goldsmiths College, University of London): Public – Private – Commerce – Patronage
***
15.30-19.00 (Sala Puerari): SESSION A, Organology & Museology, Chair: ELENA FERRARI BARASSI
E. BRADLEY STRAUCHEN (London): Survival of the Fittest? Instrumental Paradoxes in the Age of Darwin
CLAUDIO BACCIAGALUPPI (Bern): Prima di Welte: il melografo da utopia illuminista a prodotto industriale
MICHELE VANNUCCI (Cremona-Carrara): Diffusione e tramonto del salterio italiano nei secoli xvii-xix
17.00-17.30: Coffee Break
PAUL R. LAIRD (Lawrence-KS): The Violoncello’s Commercial Development in Retrospective and Revival
FABIO PERRONE (Cremona): Strumenti musicali a tastiera e rivoluzione industriale: esempi nei musei italiani
ANDREA CARDONE (Caserta): Musei artistico-industriali e musei strumentali: ideologie conservative nella seconda metà del secolo XIX
***
16.00-18.30 (Biblioteca Statale): SESSION B, Muzio Clementi, Chair: LUCA SALA
ROHAN H. STEWART-MACDONALD (Cambridge, UK): Clementi, the Market Place and the Cultivation of a British Identity during the early Industrial Revolution
DAVID ROWLAND (Cambridge, UK): Clementi & Co. in International Markets
17.00-17.30: Coffee Break
SIMONE CIOLFI (Rome): La mutazione del concetto di tradizione in musica con l’avvento della rivoluzione industriale: Muzio Clementi e Joseph Haydn nel primo Ottocento
ANDREA COEN (Rome): La Selection from the Vocal Composition of Mozart di Muzio Clementi e David Thomson: «A work which might render the Music of that great Composer more familiar...»
***
18.30-19.00: Book Presentation
LEON PLANTINGA (New Haven, CT): Rohan H. Stewart-MacDonald, New Perspectives on the Keyboard Sonatas of Muzio Clementi, Bologna, Ut Orpheus Edizioni, 2006 (Quaderni clementiani, 2).
19.30-20.00: Refreshment
20.30: Dinner
***
SUNDAY 2 JULY
09.30-12.00 (Sala Puerari): SESSION A, Music Publishing & Music Making, Chair: SIMON MCVEIGH
MARIA ALICE VOLPE (Rio de Janeiro): Music Publishing in Nineteenth-century Rio de Janeiro: Music Making, Cultural Values, and the New Market
LUCA AVERSANO (Rome): Editoria musicale e globalizzazione del gusto all’inizio del xix secolo
10.30-11.00: Coffee Break
JENNY NEX (London): Women in the Musical Instrument Trade in London, 1750–1810
OUTI JOKIHARJU (London) Reflections of Instrumental Chamber-music Making in Sheet Music Inspired by Gluck’s Operatic Reform
***
12.00-12.30: Book Presentation
Giovanni Battista Viotti. A Composer between the Two Revolutions, edited by Massimiliano Sala, Bologna, Ut Orpheus Edizioni, 2006 (Ad Parnassum Studies, 2);
***
09.30-12.00 (Biblioteca Statale): SESSION B, Music & Social Context in France, Chair: MICHELA NICCOLAI
JOEL-MARIE FAUQUET - FLORENCE GÉTREAU (Paris): xixth-century Instrumental Innovations and Musical Practices in the Context of French International Exhibitions
GIUSEPPE MONTEMAGNO (Catania): Nuovi mercati per nuovi strumenti musicali: la prima Esposizione universale di Parigi del 1855
10.30-11.00: Coffee Break
ALBAN RAMAUT (Saint-Étienne): Anton Reicha e Parigi. Storia di una triplice carriera di compositore, teorico e professore
LAURE SCHNAPPER (Paris): Henri Herz (1803-1888): An early Example of Commercial Pianist-composer
Lunch
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15.00-16.00 (Biblioteca Statale): Keynote Speaker
LEON PLANTINGA (Yale University – New Haven, CT): Music, Mechanization, and the Middle Class
16.00-16.30: Coffee Break
***
16.30-18.00 (Sala Puerari): SESSION A, Music & Social Context I, Chair: PIETRO ZAPPALA'
MARIE SUMNER LOTT (Rochester-NY): String Chamber Music and the Industrial Revolution
ROE-MIN KOK (Montreal, QC): Family and Gender in Imaginative Children’s Music
CONSUELO GIGLIO (Palermo): Il pianoforte a quattro mani: una nuova pratica del far musica in casa dai forti connotati sociali
***
16.30-18.00 (Biblioteca Statale): SESSION B, Luigi Boccherini, Chair: FULVIA MORABITO
MIGUEL ÁNGEL MARÍN (La Rioja): Luigi Boccherini and Private Music Making in Madrid (1785-1805)
RUDOLF RASCH (Utrecht): Tradizioni manoscritte e a stampa delle musiche di Luigi Boccherini
CHRISTIAN SPECK (Koblenz-Landau): «As simple as possible»: Boccherini’s late Piano Quintets and their Public
***
18.00-18.30: The New Critical Edition of the Luigi Boccherini’s Opera omnia
ROBERTO DE CARO, FULVIA MORABITO, ROBERTO ILLIANO, MASSIMILIANO SALA
18.30-19.00: Refreshment
***
19.00 (Museo Civico): Concert, THE FORTEPIANO AND THE NEW EUROPE
Music by J. S. Bach, W. A. Mozart, C. B. Balbastre, J. L. Dussek, J. Haydn, D. Cimarosa, M. Clementi, D. Steibelt, L. van Beethoven
ANDREA COEN – Fortepiano
20.30 Official Dinner
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MONDAY 3 JULY
09.30-13.00 (Biblioteca Statale): SESSION A, Aestethic, Chair: ROBERTO ILLIANO
RENATA SUCHOWIEJKO (Krakow): Virtuoso - An Incarnation of God or Devil? Some Thoughts about Violin Virtuosity in the 19th Century
BELLA BROVER-LUBOVSKY (Jerusalem): Le diable boiteux, Herr Meyer, and ‘Intermediate Tonic’ in Eighteenth-century Instrumental Music
NICOLAS SOUTHON (Paris): The Appearance of the Modern Conductor and the Ideals of the Industrial Society
11.00-11.30: Coffee Break
RUSS MANITT (Montreal, QC): Winterreise and Die sieben Todsünden: A Look at the Alienation of the Modern Subject
EMILY DOLAN (Ithaca-NY): Manufactured Nature and the Alternative “Absolute” Music
***
09.30-13.00 (Sala Puerari): SESSION B, Music & Social Context II, Chair: MASSIMILIANO SALA
FEDERICO CELESTINI (Graz): Il concerto strumentale e lo sviluppo delle strutture pubbliche di fruizione nel Sei e Settecento. Alcune riflessioni
JEN-YEN CHEN (Los Angeles-CA): Aristocratic Patronage, the Musical Public, and the Symphony in late Eighteenth Austria
11.00-11.30: Coffee Break
THERESE ELLSWORTH (New York): ‘Caviare to the multitude’: Instrumental Music and the Monday Popular Concerts, London
CARMELA BONGIOVANNI (Piacenza): Dalla rivoluzione industriale al risorgimento sociale: musica e associazionismo operaio a Genova (1850 circa-1870)
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