| Roberto De Caro
Editorial
ARTICLES
Adena Portowitz
The Recapitulation as Climax in the First Movements of Mozart’s Early Concertos
Therese Ellsworth
Women Soloists and the Piano Concerto in Nineteenth-Century London
Antonio Cascelli
Schenker, Chopin’s «Berceuse» Op. 57 and the Rhetoric of Variations
Jen-yen Chen
The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald Gluck
Ryszard Daniel Golianek
Three Previously Unknown Musical Pieces by Juliusz Zarebski
DISCUSSION
Abigail Chantler
The Classical Period: A Musicological Misnomer
REVIEWS
Rohan H. Stewart-MacDonald
Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich
Vanessa Ruggeri
Pierpaolo Polzonetti, Tartini e la musica secondo natura
George Biddlecombe
The Cambridge History of Nineteenth-Century Music
Andrea Coen
Robert Zappulla, Figured Bass Accompaniment in France
Leon Plantinga
Anselm Gerhard, London und der Klassizismus in der Musik. Die Idee der «absoluten Musik» und Muzio Clementis Klavierwerk
Susan Wollenberg
Michael Talbot, The Finale in Western Instrumental Music
Attilio Bottegal
Barry Cooper, Beethoven
OBITUARY
Mary Sue Morrow
A. Peter Brown
NEWS
Forthcoming Conferences - Call for Papers
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