Ad Parnassum No. 27 - Contents



Ad Parnassum
Vol. 14 - No. 27 - April 2016
pp. 200






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EDITORIAL

Massimiliano Sala
A New Network on Music Criticism

ARTICLES

Michael Talbot
Robert Valentine and the Roman Concerto Grosso

Joshua S. Walden
«Novelty, Wit and an Abundance of Ideas»: The Mid-Eighteenth-Century German Instrumental Cadenza as Interpretation

Maria Teresa Arfini
Il «Quatuor Scientifique» di Antonín Reicha

Federico Gon
Le rossiniane «Sonate a quattro» (1804): alle origini del ‘Tedeschino’

REVIEW ARTICLES

Lorenzo De Donato
Piano Culture in 19th-Century Paris

Naomi Matsumoto
John Goulden, Michael Costa: England’s First Conductor, the Revolution in Musical Performance in England 1830-1880

Paola Besutti
Mozart et la France de l’enfant prodige au génie (1764-1830)

REVIEWS

J. Mackenzie Pierce
Anatole Leikin, The Mystery of Chopin’s «Préludes»

Renato Ricco
Vincenzo Manfredini, «Regole armoniche»

Christoph Riedo
Marianne Rônez-Kubitschek, Die Violintechnik im Wandel der Zeit. Die Entwicklung der Violintechnik in Quellenzitaten. Von den Anfängen bis Pierre Baillot 1835

David Hurwitz
Locatelli and the Violin Bravura Tradition

OBITUARY

Susan Wollenberg
Dr Horst Walter (1931-2016)

REPORTS

Susan Wollenberg
Jewishness & the Arts: Music and Composers in 19th-Century Europe

Rohan H. Stewart-MacDonald
Muzio Clementi and the British Musical Scene

NEWS

Call for Papers

Contributors

Books Received

Abstracts

Index of Names