| Roberto De Caro
Editorial
ARTICLES
James L. Zychowicz
Mahler’s Instrumental «Entr’act» for «Die drei Pintos» and His Emerging Symphonic Style
Michele Calella
Gattung und Erwartung: Brahms, das Leipziger Gewandhaus und der Mißerfolg des Klavierkonzerts Op. 15
John Tyrrell
Janácek and Programme Music
Federico Maria Sardelli
Il flauto nell’Italia del primo Settecento, con cenni particolari a Vivaldi e Venezia
DISCUSSION
Elio Matassi
The Adaemonic/Daemonic Spirit of Music: E. T. A. Hoffmann’s Review of Beethoven’s Fifth Symphony and the Apology of Instrumental Music in W. H. Wackenroder
REVIEW ARTICLE
Rudolf Rasch
Pietro Antonio Locatelli and his Opera omnia
REVIEWS
Christian Speck
Eugene K. Wolf, Manuscript form Mannheim, ca. 1730-1778. A Study in the Methodology of Musical Source Research
Robin Stowell
Mara Parker, The String Quartet, 1750-1797. Four Types of Musical Conversation
Alban Ramaut
Berlioz: Past, Present, Future
Jane R. Stevens
John Irving, Mozart’s Piano Concertos; Simon P. Keefe, Mozart’s Piano Concertos: Dramatic Dialogue in the Age of Enlightenement
Andrea Lindmayr-Brandl
Margret Jestremski, Hugo Wolf. Skizzen und Fragmente. Untersuchungen zur Arbeitsweise
Michael Talbot
Daniel Heartz, Music in European Capitals. The Galant Style, 1720-1780
Françoise Schwab
Elio Matassi, Bloch e la musica
Charles B. Fisk
Schubert the Progressive: History, Performance Practice, Analysis
NEWS
Forthcoming Conferences - Call for Papers - Communications
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