| Roberto De Caro
Editorial
ARTICLES
Rita Steblin
Anton Gräffer’s Reminiscences of Paganini’s Viennese Concert Tour of 1828: An Inside View of the First Performance and the Break with Antonia Bianchi
Susan Wollenberg
Master of her Art: Fanny Hensel (née Mendelssohn Bartholdy), 1805-1847
Benedict Taylor
The Problem of the ‘Introduction’ in Beethoven’s Late Quartets
Germán Labrador
Música y vida cotidiana en la corte española (1760-1808): la afición musical de Carlos IV
Rohan H. Stewart-MacDonald
Elements of ‘Through-composition’ in the Violin Concertos Nos. 23 and 27 by Giovanni Battista Viotti
Derek Carew
Hummel’s Op. 81: A Paradigm for Brahms’ Op. 2?
REVIEWS
Floyd Grave
Giovanni Battista Sammartini and His Musical Environment
Bella Brover-Lubovsky
Simon McVeigh - Jehoash Hirshberg, The Italian Solo Concerto 1700-1760. Rhetorical Strategies and Style History
Christoph Flamm
Zwischen Klassik und Klassizismus. Johann Nepomuk Hummel in Wien und Weimar (Kolloquium im Goethe-Museum Düsseldorf 2000)
Adena Portowitz
The Cambridge Companion to Mozart
Rohan H. Stewart-MacDonald
Concert Life in Eighteenth-Century Britain
NEWS
Massimiliano Sala
The New Critical Edition of the Complete Works of Luigi Boccherini
Forthcoming Conferences
Call for Papers
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