Ad Parnassum No. 1 - Contents

Ad Parnassum
Vol. 1 - No. 1 - April 2003
pp. 224

Choose another Issue:


Roberto De Caro


Barry Cooper
Subthematicism and Metaphor in Beethoven’s Tenth Symphony

Hartmuth Kinzler
Themeninvention und ihre variative Ausarbeitung im 2. Satz von Schuberts A-Moll-Sonate Op. 42 (D 845)

Rohan H. Stewart-MacDonald
Canonic Passages in the Later Piano Sonatas of Muzio Clementi: Their Structural and Expressive Roles

Peter Niedermüller
Soziale und ästhetische Implikationen des öffentlichen Konzertlebens in Wien zu Beginn des neunzehnten Jahrhunderts

Paul Cienniwa
Unexpected Examples of Sonata Form: Claude-Bénigne Balbastre’s 1759 «Pièces de clavecin, premier livre»


Federico Celestini
Das blicklose Auge der klassischen Kunst. Ein Beitrag zur Klassik-Diskussion


Marina Ritzarev
Music in Eighteenth-Century Britain

Benjamin Perl
The Cambridge Companion to Berlioz

William Drabkin
Donald Francis Tovey, The Classics of Music: Talks, Essays, and Other Writings Previously Uncollected

Susan Wollenberg
Howard Irving, Ancient and Moderns: William Crotch and the Development of Classical Music

Andrea Coen
Clive Brown, Classical and Romantic Performing Practice 1750-1900

Philip Olleson
Deborah Rohr, The Careers of British Musicians, 1750-1850: A Profession of Artisans

Marc Niubó
The Eighteenth-Century Diaspora of Italian Music and Musicians

Robert Zappulla
Muzio Clementi. Studies and Prospects


Albert Dunning
Eugene K. Wolf


News - Forthcoming Conferences - Call for Papers


Books Received


Index of Names